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    1000 Dessous: A History of Lingerie

    Gilles Néret

    Taschen
    1998
    767 páginas
    1d 1h 34m
    ISBN-13: 9783822876299
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    Since the beginning of civilization, women have worn underwear. Justified as protection, or a hygienic necessity, this ""second skin"" was devised to satisfy perverse erotic instincts. A ""trap laid by Venus"" to entertain and stimulate the fantasies of both the woman who wears them and the man who discovers them. Corsets, bras and panties are not utilitarian items -- they are elements in a mystic ritual linking man and woman. They act as an obsessive focus for fantasy, for the sex they conceal is powerless without the decorations and seductions which separate us from it. Pleasure would perish without censorship. Women have always known how to stimulate the latent fetishism of the men around them. Under her dress, a Greek girl of the classical period would wear a belt around her hips which was of no practical use except to draw attention to her feminity. Likewise, the women of Rome already wore garters round their thighs, though the stocking had not yet been invented.In our own century, vamps, starlets, pin-ups and models have filled our cinema screens, our advertising hoardings, our office calendars and our imaginations with the erotic engineering of the garter belt and the surreptitious rustle of nylon stockings.

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    Gilles Néret

    He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L’Oeil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. Since 1992, Néret was an editor for Taschen, for which he has written catalogues raisonnés of the works of Klimt and others, as well as the author of Erotica Universalis. ......................................................................................................... Gilles Néret foi um historiador de arte, jornalista, escritor e correspondente de museu. Ele organizou várias retrospectivas de arte no Japão e fundou o Museu SEIBU e a Galeria Wildenstein em Tóquio. Dirigiu críticas de arte como L'Œil e Connaissance des Arts e recebeu o Prêmio Élie Faure em 1981 por suas publicações. Seus títulos TASCHEN incluem Salvador Dalí: The Paintings, Matisse e Erotica Universalis.

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    Gilles Néret