Pygmalion

Pygmalion Bernard Shaw


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Pygmalion


A romance in five acts




'Pygmalion' both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor Pygmalion, who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw’s feminist views. In Shaw’s hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his ‘creation’ has a mind of her own. This is the definitive text under the editorial supervision of Dan H. Laurence, with an illuminating introduction by Nicholas Grene, discussing the language and politics of the play. Included in this volume is Shaw’s preface, as well as his ‘sequel’ written for the first publication in 1916, to rebut public demand for a more conventionally romantic ending.

Literatura Estrangeira / Drama / Ficção

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Themes
on 2/11/11


Appearances and Reality Pygmalion examines this theme primarily through the character of Liza, and the issue of personal identity (as perceived by oneself or by others). Social roles in the Victorian era were viewed as natural and largely fixed: there was perceived to be something inherently, fundamentally unique about a noble versus an unskilled laborer and vice versa. Liza's ability to fool society about her "real" identity raises questions about appearances. The importance of appea... leia mais

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Jéssica
cadastrou em:
24/11/2010 22:46:53
Pedro
editou em:
29/07/2015 23:47:28