Is an English music critic who is well known for his writings on electronic dance music. Besides electronic dance music, Reynolds has written about a wide range of artists and musical genres, and has written books on post-punk and rock. He has contributed to Melody Maker, The New York Times, Village Voice, The Guardian, Rolling Stone, The Observer, Artforum, New Statesman, The Wire, Mojo, Uncut, Spin, and others.