"A satisfying book, as each of the authors brings a unique perspective to the discussion and they are able to isolate, identify, and explain some of the more subtle aspects of a genre which, on the surface, seems all about gangsters and pretty girls who done somebody wrong." -- Blogcritics "Explores the philosophical underpinnings of movies from the classical noir period and... suggests that films aren't noir merely because they share a consistent tone, or certain visual conventions, with the likes of The Maltese Falcon, The Postman Always Rings Twice, and Double Indemnity." -- Boston Globe "The essays work both as solid primers into philosophy, stretching from Aristotle to Schopenhauer, and as lucid excursions into the genre's dark, mean streets.... A fascinating, readable, and provocative book.... Highly recommended." -- Choice "An intellectually seductive, hard-boiled romp through a world of moral murkiness, femme fatales, and desperately lonely protagonist." -- Eric Bronson, editor of Baseball and Philosophy "The collection aims to achieve two goals: to introduce genuine philosophical problems and film noir characteristics, while providing sufficiently in-depth discussion that those familiar with either philosophical methods or film noir will not find the material too elementary. Although facing a difficult task, Conard has put together a collection that succeeds in both respects." -- Intertexts "Dense and intriguing, the book suggests noir is best perceived as a slightly warped mirror held up to contemporary society." -- Publishers Weekly "An excellent book, giving readers a very good sense of the rich philosophical resources in film noir." -- Thomas Hibbs, author of Shows About Nothing: Nihilism in Popular Culture from t "This collection of essays, delving into the films and elucidating their philosophical depths, is challenging and engaging. Read it and prepare to be provoked." -- Les Reid, Philosophy Now