Vigee Le Brun became a famous portraitist while still in her twenties, and was a favorite of Marie-Antoinette. May's biography seeks to rescue her from critics who have dismissed her as an operator and a superficial talent. Born in 1755, Vigee Le Brun lived until the eighteen-forties and produced two volumes of memoirs, which form the backbone of this account. Occasionally, one feels the lack of broader perspectives, and May, a literature professor, fails to give a detailed sense of either the historical context or the aesthetic content of her subject's works. Still, she effectively conveys that, for Vigee Le Brun, matters such as politics, friendship, and love were subordinate to an absolute focus on honing her skill. Even post-Revolution exile was turned to advantage; she traversed Europe looking at masterpieces and painting such subjects as Byron and the family of Catherine the Great.
