Fifteen brilliant writers explore how what we don’t talk about with our mothers affects us, for better or for worse. In the bestselling tradition of The Bitch in the House, What My Mother and I Don’t Talk About is an anthology about the powerful, and sometimes painful things that we can’t discuss with the person who is supposed to know us and love us the most. In the early 2000s, as an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took many years for her to realize what she was actually trying to write about: the fracture this caused in her relationship with her mother. When her essay, “What My Mother and I Don’t Talk About” was published by Longreads in October of 2017, it went on to become one of the most popular Longreads exclusives of the year, and was shared on social media by Anne Lamott, Rebecca Solnit, Lidia Yuknavitch, and many other writers, some of whom had their own individual codes of silence to be broken. The outpouring of responses gave Filgate an idea, and the resulting anthology offers an intimate, therapeutic, and universally resonant look at our relationships with our mothers. As Filgate poignantly writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.”
What My Mother and I Don't Talk About -
Carmen Maria Machado, Carmen Maria Machado, Lynn Steger Strong, Melissa Febos
Simon & Schuster
2019
288 páginas
9h 36m
ISBN-13: 9781982107345
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Tália Moniz18/12/2021Resenhou um livro
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Carmen Maria Machado
Carmen Maria Machado's debut short story collection, Her Body and Other Parties, was a finalist for the National Book Award, the Kirkus Prize, LA Times Book Prize Art Seidenbaum Award for First Fiction, the Dylan Thomas Prize, and the PEN/Robert W. Bingham Prize for Debut Fiction, and the winner of the Bard Fiction Prize, the National Book Critics Circle's John Leonard Prize, and the Crawford Award. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century." Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Michener-Copernicus Foundation, the Elizabeth George Foundation, the CINTAS Foundation, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the Writer in Residence at the University of Pennsylvania and lives in Philadelphia with her wife.
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