Hjort argues that Stanley Kwan's contribution in Center Stage is to develop an approach to nonfiction filmmaking that is realist without being naïve. The value of the film's reflexive dimension, Hjort shows, has nothing to do with poststructuralist skepticism but with the compelling manifestation of a communicative model that serves as an alternative to hierarchical and authoritarian modes of social organization.
Stanley Kwan's Center Stage
Mette Hjort
Hong Kong University Press
2006
158 páginas
5h 16m
ISBN-10: 962209791X
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