Pudd'nhead Wilson (The Penguin English Library)

Determined that her baby son Tom shall not share her fate and remain in slavery, Roxy secretly exchanges him with his playmate Chambers, the son of her master. The two boys' lives in the quiet Missouri town of Dawson's Landing remain entwined even though they take very different directions. The indulged Tom (now heir to a fortune rightfully that of Chambers) goes to Yale, where he learns how to drink and gamble, while Chambers looks set to remain a subservient drudge. But then a strange sequence of events begins - one in which the much-derided lawyer, 'Pudd'nhead' Wilson, has a key part to play - and changes everything. Darkly ironic, blending farce and tragedy, Pudd'nhead Wilson is a complex and fascinating depiction of human nature under slavery.

|....| At the beginning of Pudd'nhead Wilson a young slave woman, fearing for her infant's son's life, exchanges her light-skinned child with her master's. From this rather simple premise Mark Twain fashioned one of his most entertaining, funny, yet biting novels. On its surface, Pudd'nhead Wilson possesses all the elements of an engrossing nineteenth-century mystery: reversed identities, a horrible crime, an eccentric detective, a suspenseful courtroom drama, and a surprising, unusual solution. Yet it is not a mystery novel. Seething with the undercurrents of antebellum southern culture, the book is a savage indictment in which the real criminal is society, and racial prejudice and slavery are the crimes. Written in 1894, Pudd'nhead Wilson glistens with characteristic Twain humor, with suspense, and with pointed irony: a gem among the author's later works.

"Those Extraordinary Twins" was published as a short story, with glosses inserted into the text where the narrative was either unfinished or would have duplicated parts of "Pudd'nhead Wilson": during the writing process, Mark Twain realized that secondary characters such as Pudd'nhead Wilson, Roxy, and Tom Driscoll were taking a more central role in the story. More importantly, he found that the serious tone of the story of Roxy and Tom clashed unpleasantly with the light tone of the twins' story. . .

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