The Naive and the Sentimental Novelist

The Naive and the Sentimental Novelist Orhan Pamuk
Orhan Pamuk


Compartilhe


The Naive and the Sentimental Novelist





What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Turkey's Nobel Prize winner explores the art of writing, and takes us into the worlds of the reader and the writer, revealing their intimate connections.

Pamuk draws on Friedrich Schiller's famous distinction between "naive" poets-who write spontaneously, serenely, unselfconsciously-and "sentimental" poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to his reading of the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center the novelist's craft.

Orhan Pamuk ponders the novel's visual and sensual power-its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he delves into the secrets of reading and writing, and considers the elements of character, plot, time and setting that compose the "sweet illusion" of the fictional world.

Like Umberto Eco's Six Walks in the Fictional Woods and Milan Kundera's The Art of the Novel, this is a perceptive book by one of the modern masters of the art, a title anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from.

Ensaios

Edições (2)

ver mais
O romancista ingênuo e o sentimental
The Naive and the Sentimental Novelist

Similares

(11) ver mais
Aspectos do Romance
O castelo branco
Lembrar escrever esquecer
A cultura do romance

Resenhas para The Naive and the Sentimental Novelist (14)

ver mais
Esnobismo Humilde, ou sou eu?
on 17/10/20


Ensaios sobre a natureza do romance, os tipos de romancistas, o que seria, segundo Pamuk, o aspecto principal de um romance - para o leitor e para o escritor - que ele chama de "centro", que alguns, como Borges, chamavam de "assunto". Discorre sobre a experiência de ler e de escrever e de como, para ele, estão integradas (tanto que Orhan Pamuk vê o objetivo ou prazer maior de ler coincidindo com o de escrever, isto é, estabelecer (o autor) ou descobrir ao ler( o leitor) o dito "centro"... leia mais

Estatísticas

Desejam72
Trocam1
Avaliações 4.1 / 108
5
ranking 40
40%
4
ranking 41
41%
3
ranking 17
17%
2
ranking 3
3%
1
ranking 0
0%

41%

59%


cadastrou em:
31/01/2019 13:37:05

Utilizamos cookies e tecnologia para aprimorar sua experiência de navegação de acordo com a Política de Privacidade. ACEITAR