A New York Times bestsellerThe Haunting of Sunshine Girl,in active development for television by The Weinstein Company, a hit paranomal YA series based on the wildly popular YouTube channel about an "adorkable" teenager living in a haunted house. Shortly after her sixteenth birthday, Sunshine Griffith and her mother Kat move from sunny Austin, Texas, to the rain-drenched town of Ridgemont, Washington. Though Sunshine is adopted, she and her mother have always been close, sharing a special bond filled with laughter and inside jokes. But from the moment they arrive, Sunshine feels her world darken with an eeriness she cannot place. And even if Kat doesn't recognize it, Sunshine knows that something about their new house is just ... creepy. In the days that follow, things only get stranger. Sunshine is followed around the house by an icy breeze, phantom wind slams her bedroom door shut, and eventually, the laughter Sunshine hears on her first night evolves into sobs. She can hardly believe it, but as the spirits haunting her house become more frightening-and it becomes clear that Kat is in danger-Sunshine must accept what she is, pass the test before her, and save her mother from a fate worse than death.
The Haunting of Sunshine Girl: Book One
Alyssa B. Sheinmel
Weinstein Books
2015
304 páginas
10h 8m
ISBN-10: 1602862729
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Alyssa B. Sheinmel
Alyssa Sheinmel is the bestselling author of R.I.P. Eliza Hart, Faceless, and Second Star. I still remember the very first chapter book I ever read—The One in the Middle is the Green Kangaroo, by Judy Blume. Before long, reading was my favorite thing in the world. I loved it so much that when there was nothing to read, I wrote my own stories just to give myself something to read. And when there was no pen and paper to be had, I just made up stories in my head. When I was eleven years old, I began going to a new school in New York City. The teachers there were very supportive of my reading and writing. One teacher there encouraged me to read F. Scott Fitzgerald, and another introduced me to magical realism, and another tried to convince me that there was more to Ernest Hemingway than lessons in fly fishing. (She was right, of course.) And still another let me write a sequel to one of my favorite novels and call it a school project, even though I would have done in my spare time just for the fun of it.
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