Richard II -

William Shakespeare

Penguin Classics

2015

320 páginas

10h 40m

ISBN-10: B01B26ZWOE

The first part of the 'Henriad', continued with the two parts of Henry IV and concluded by Henry V¸ William Shakespeare's Richard II is a history play dramatizing the rebellion of Henry Bolingbroke, that would eventually see him made King of England. This Penguin Shakespeare edition is edited by Stanley Wells with an introduction by Paul Edmondson.

'Not all the water in the rough rude sea
Can wash the balm off from an anointed king'

Banishing his cousin, Bolingbroke, King Richard II prevents a dispute from turning bloody. But Richard is an arrogant and despotic ruler, prone to tyranny and vanity, who listens only to his flatterers. As favour turns against him and Bolingbroke returns to reclaim his land, Richard is humbled and grieved to see that the throne given to him by God might be taken from him by men.

This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Richard II, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.

William Shakespeare (1564-1616) was born to John Shakespeare and Mary Arden some time in late April 1564 in Stratford-upon-Avon. He wrote about 38 plays (the precise number is uncertain), many of which are regarded as the most exceptional works of drama ever produced, including Romeo and Juliet (1595), Henry V (1599), Hamlet (1601), Othello (1604), King Lear (1606) and Macbeth (1606), as well as a collection of 154 sonnets, which number among the most profound and influential love-poetry in English.

'We go to Shakespeare to find out about ourselves'
Jeanette Winterson

Resenhas (3)

5 (Perfeito)

"Always experimenting, Shakespeare composed 'Richard II' as an extended metaphysical lyric, which ougth to be impossible for a history play, but for Shakespeare everything is possible.

[The piece] studies the decline and fall of a remarkable poet, who happens also to be an inadequate human being, and a hopeless king. (...) His two roles are antithetical, so that his kingship diminishes even as his poetry improves.

(...) [He] wins not so much our sympathy as our reluctant aesthetic admiration for the dying fall of his cognitive music. (...) It is better to think of 'Richard II' as chronicle rather than tragedy, and of Richard himself neither as hero nor as villain but as victim, primarily of his own self-indulgence, yet also of the power of his imagination."

Harold Bloom: Shakespeare - The Invention of the Human, c. 16